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內容簡介

A THRILLING REINVENTION OF THE VAMPIRE NOVEL BY THE MASTER OF MODERN FANTASY, GEORGE R. R. MARTIN

Abner Marsh, a struggling riverboat captain, suspects that something’s amiss when he is approached by a wealthy aristocrat with a lucrative offer. The hauntingly pale, steely-eyed Joshua York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet; nor does he care that he won’t earn back his investment in a decade. York’s reasons for traversing the powerful Mississippi are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious York’s actions may prove. Not until the maiden voyage of Fevre Dream does Marsh realize that he has joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare—and humankind’s most impossible dream.

作者簡介

George R. R. Martin's bestselling A Song of Ice and Fire fantasy series has earned him the title of 'the American Tolkien'. The first book of the series has been made into a HBO TV adaptation, A Game of Thrones. He is the author of eight novels, several collections of short stories and numerous screenplays for television drama and feature films. He lives in Santa Fe, New Mexico.

　　喬治·雷濛德·理查德·馬丁（Geoger Raymond Richard Martin）歐美奇幻小說大師。1948年9月20日齣生於美國新澤西州的貝約恩，在伊利諾伊州伊凡斯頓的西北大學就讀，主修新聞寫作，1971年取得碩士學位。馬丁的作品主要以人物為關注點，描寫細膩豐富，突破瞭幻想文學界固有的創作模式，多次引領閱讀潮流。代錶作有十大浪漫太空歌劇之一的《光逝》、由雨果奬獲奬名篇擴展而成的《風港》、在雜誌讀者群中深受愛戴的《圖夫航行記》，以及當代正統奇幻的第一經典《冰與火之歌》等。由於馬丁的輝煌成就，他被譽為美國的托爾金和新世紀的海明威。從1989年開始，馬丁淡齣文學界，轉而投身演藝界發展，其中包括《美女與野獸》的編劇和The Twilight Zone的劇本編輯。1996年他纔重返文壇而開始奇幻文學的創作，處女作便是《權力的遊戲》（The Game Of Throne），即為《冰與火之歌》（The Song Of Fire And Ice）的首部麯。雖然封筆幾近10年，但大師風範猶在，《權力的遊戲》甫齣便拿下瞭British Fantasy Society、 世界奇幻奬和星雲奬年度最佳幻想作品提名，即使是由其中抽取章節編成的Blood of the Dragon也獲得多個最佳中篇奬，在科幻奇幻界引起極大的反響。在非官方的不記名奇幻作品投票中，《冰與火之歌》儼然已經可以和《魔戒》平起平坐，作者網站的訪問量也是和斯蒂芬·金、J.K.羅琳等不相上下，其受歡迎的程度可見一斑。他的讀者群早已是遠遠的超越奇幻科幻愛好者的範圍，而受到更為廣泛的關注。
　　權力的遊戲已在HBO播齣。喬治·馬丁被時代雜誌評選為2011年影響世界的一百人。

精彩書評

“A novel that will delight fans of both Stephen King and Mark Twain . . . darkly romantic, chilling and rousing by turns . . . a thundering success.”
—Roger Zelazny

“An adventure into the heart of darkness that transcends even the most inventive vampire novels . . . Fevre Dream runs red with original, high adventure.”
—Los Angeles Herald Examiner

“Stands alongside Anne Rice’s Interview with the Vampire as a revolutionary work.”
—Rocky Mountain News

“Engaging and meaningful.”
—The Washington Post Book World

精彩書摘

Chapter One
St. Louis, April 1857 Abner Marsh rapped the head of his hickory walking stick smartly on the hotel desk to get the clerk’s attention. “I’m here to see a man named York,” he said. “Josh York, I believe he calls hisself. You got such a man here?”
The clerk was an elderly man with spectacles. He jumped at the sound of the rap, then turned and spied Marsh and smiled. “Why, it’s Cap’n Marsh,” he said amiably. “Ain’t seen you for half a year, Cap’n. Heard about your misfortune, though. Terrible, just terrible. I been here since ’36 and I never seen no ice jam like that one.”
“Never you mind about that,” Abner Marsh said, annoyed. He had anticipated such comments. The Planters’ House was a popular hostelry among steamboatmen. Marsh himself had dined there regularly before that cruel winter. But since the ice jam he’d been staying away, and not only because of the prices. Much as he liked Planters’ House food, he was not eager for its brand of company: pilots and captains and mates, rivermen all, old friends and old rivals, and all of them knowing his misfortune. Abner Marsh wanted no man’s pity. “You just say where York’s room is,” he told the clerk peremptorily.
The clerk bobbed his head nervously. “Mister York won’t be in his room, Cap’n. You’ll find him in the dining room, taking his meal.”
“Now? At this hour?” Marsh glanced at the ornate hotel clock, then loosed the brass buttons of his coat and pulled out his own gold pocket watch. “Ten past midnight,” he said, incredulous. “You say he’s eatin’?”
“Yes sir, that he is. He chooses his own times, Mister York, and he’s not the sort you say no to, Cap’n.”
Abner Marsh made a rude noise deep in his throat, pocketed his watch, and turned away without a word, setting off across the richly appointed lobby with long, heavy strides. He was a big man, and not a patient one, and he was not accustomed to business meetings at midnight. He carried his walking stick with a flourish, as if he had never had a misfortune, and was still the man he had been.
The dining room was almost as grand and lavish as the main saloon on a big steamer, with cut-glass chandeliers and polished brass fixtures and tables covered with fine white linen and the best china and crystal. During normal hours, the tables would have been full of travelers and steamboatmen, but now the room was empty, most of the lights extinguished. Perhaps there was something to be said for midnight meetings after all, Marsh reflected; at least he would have to suffer no condolences. Near the kitchen door, two Negro waiters were talking softly. Marsh ignored them and walked to the far side of the room, where a well-dressed stranger was dining alone.
The man must have heard him approach, but he did not look up. He was busy spooning up mock turtle soup from a china bowl. The cut of his long black coat made it clear he was no riverman; an Easterner then, or maybe even a foreigner. He was big, Marsh saw, though not near so big as Marsh; seated, he gave the impression of height, but he had none of Marsh’s girth. At first Marsh thought him an old man, for his hair was white. Then, when he came closer, he saw that it was not white at all, but a very pale blond, and suddenly the stranger took on an almost boyish aspect. York was clean-shaven, not a mustache nor side whiskers on his long, cool face, and his skin was as fair as his hair. He had hands like a woman, Marsh thought as he stood over the table.
He tapped on the table with his stick. The cloth muffled the sound, made it a gentle summons. “You Josh York?” he said.
York looked up, and their eyes met.
Till the rest of his days were done, Abner Marsh remembered that moment, that first look into the eyes of Joshua York. Whatever thoughts he had had, whatever plans he had made, were sucked up in the maelstrom of York’s eyes. Boy and old man and dandy and foreigner, all those were gone in an instant, and there was only York, the man himself, the power of him, the dream, the intensity.
York’s eyes were gray, startlingly dark in such a pale face. His pupils were pinpoints, burning black, and they reached right into Marsh and weighed the soul inside him. The gray around them seemed alive, moving, like fog on the river on a dark night, when the banks vanish and the lights vanish and there is nothing in the world but your boat and the river and the fog. In those mists, Abner Marsh saw things; visions swift-glimpsed and then gone. There was a cool intelligence peering out of those mists. But there was a beast as well, dark and frightening, chained and angry, raging at the fog. Laughter and loneliness and cruel passion; York had all of that in his eyes.
But mostly there was force in those eyes, terrible force, a strength as relentless and merciless as the ice that had crushed Marsh’s dreams. Somewhere in that fog, Marsh could sense the ice moving, slow, so slow, and he could hear the awful splintering of his boats and all his hopes.
Abner Marsh had stared down many a man in his day, and he held his gaze for the longest time, his hand closed so hard around his stick that he feared he would snap it in two. But at last he looked away.
The man at the table pushed away his soup, gestured, and said, “Captain Marsh. I have been expecting you. Please join me.” His voice was mellow, educated, easy.
“Yes,” Marsh said, too softly. He pulled out the chair across from York and eased himself into it. Marsh was a massive man, six foot tall and three hundred pounds heavy. He had a red face and a full black beard that he wore to cover up a flat, pushed-in nose and a faceful of warts, but even the whiskers didn’t help much; they called him the ugliest man on the river, and he knew it. In his heavy blue captain’s coat with its double row of brass buttons, he was a fierce and imposing figure. But York’s eyes had drained him of his bluster. The man was a fanatic, Marsh decided. He had seen eyes like that before, in madmen and hell-raising preachers and once in the face of the man called John Brown, down in bleeding Kansas. Marsh wanted nothing to do with fanatics, with preachers, and abolitionists and temperance people.
But when York spoke, he did not sound like a fanatic. “My name is Joshua Anton York, Captain. J. A. York in business, Joshua to my friends. I Fevre Dream[熱夜之夢] [平裝] 下載 mobi epub pdf txt 電子書

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②民主平等是指在學術麵前人人平等，在知識麵前人人平等。不因傢庭背景、地區差異而歧視，不因成績落後、學習睏難遭冷落。民主的核心是遵照大多數人的意誌而行事，教學民主的核心就是發展、提高多數人。可是總有人把眼睛盯在幾個尖子學生身上，有意無意地忽視多數學生的存在。“抓兩頭帶中間”就是典型的做法。但結果往往是抓“兩頭”變成抓“一頭”，“帶中間”變成“丟中間”。教學民主最好的體現是以能者為師，教學相長。信息時代的特徵，能者未必一定是教師，未必一定是“好”學生。在特定領域，特定環節上，有興趣占有知識高地的學生可以為同學“師”，甚至為教師“師”。在教學中發現不足，補充知識、改善教法、

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