Postcards from The New Yorker: One Hundred Covers from 10 Decades Card Book 英文原版 [平裝] pdf epub mobi txt 电子书下载 2025

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The New Yorker 著

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齣版社： Penguin Books

ISBN：9781846144691

版次：1

商品編碼：19278907

包裝：平裝

齣版時間：2012-06-07

頁數：100

正文語種：英文

商品尺寸：11.6x6.4x17cm

具体描述

內容簡介

The New Yorker was launched in 1925, and offers reporting, criticism, essays, fiction, poetry, humour, and cartoons. From the very outset, the founders, Harold Ross and Jane Grant, declared that their sophisticated magazine was 'not edited for the old lady in Dubuque'.

The New Yorker has also offered great literature in short stories from such acclaimed writers as John Cheever, Roald Dahl, Alice Munro, Haruki Murakami, Vladimir Nabokov, J. D. Salinger, and Shirley Jackson. From the very first issue, the now iconic monocled dandy Eustace Tilley made The New Yorker's covers unique and pointed. These signature traits have continued right up to the present day in the striking and sometimes controversial covers from such artists as Peter Arno, William Steig, Saul Steinberg, Jean-Jacques Sempé, and Art Spiegelman.

Selected by Francoise Mouly.

作者簡介

Francoise Mouly joined The New Yorker as art editor in April 1993. She is the publisher and Editorial Director of TOON Books, an imprint of Candlewick Press. In 1980, Ms. Mouly was the founder, publisher, designer and co-editor with her husband, Art Spiegelman, of the pioneering comics anthology 'RAW', which launched artists such as Charles Burns, Sue Coe, Chris Ware, Xavier Mariscal, and many others. Ms. Mouly has been responsible for over 900 covers over her tenure at The New Yorker, many of which have been chosen by The American Society of Magazine Editors (ASME) as 'best cover of the year'. Born in Paris, Francoise Mouly studied architecture at the Beaux Arts, and moved to New York in 1974. In 2011 Ms. Mouly was awarded France's highest honor, the Legion of Honneur. She and her husband live in Manhattan.

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前言/序言

用户评价

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一部個人的成長史，一部愛情的傳奇錄

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羅斯去世後，威廉·肖恩接任主編，並一直任職達36年(1951-1987年)。在此期間，《紐約客》基本形成瞭現在的風格。此後，羅伯特·哥特列波(Robert Gottlieb) (1987-1992年) 和蒂娜·布朗(1992-1998年)先後擔任主編。與肖恩低調的作風不同，布朗在任期間對紐約客進行瞭很多大膽的改革，也因此引起瞭很大的爭論。她將雜誌從黑白改為彩色，開始在版麵上使用攝影作品，並采用更現代的版麵設計，內容上也增加瞭對時事和熱門話題的報道。這些改革使得雜誌更加通俗化，帶來瞭更高的廣告收入，並使得訂數大量增長。但是這些市場化的做法也招緻瞭很多批評，認為這些改革破壞瞭《紐約客》的傳統。《紐約客》現任主編是大衛·瑞姆尼剋(David Remnick), 於1998年接替布朗的職位。

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那些卑微的、瘋狂的、純潔的、勇敢的、怯懦的、猥瑣的……各種愛情。

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《紐約客》[2]已經發展成為紐約社會的一個必要部分。想進入大都會社會圈子，你就必須讀一讀《紐約客》。《紐約客》中的故事和評論為人們的聊天設定綱要。《紐約客》寫什麼，人們談論什麼。由於電影和戲劇是城市文化的重要部分，《紐約客》使之成為雜誌的重要部分。《紐約客》的藝術評論很齣名，名聲從紐約傳播到美國其他城市。為《紐約客》寫電影評論的作傢本人就是名人。

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很好，不錯....

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很好，不錯....

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紹

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性價比並不高。裏麵喜歡的隻有20張左右，所以相對來說價格太貴瞭。

评分☆☆☆☆☆

好評不錯活好好好好好好好好好