Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.
##(1944) R3 You manufacture illusions.
评分##An emissary from a world of reality that we were somehow set apart from. The long delayed but always expected something that we live for.
评分##I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger--anything that can blow yr candles out! -for nowadays the world is lit by lightning! Blow yr candles and so goodbye. *uneasy*
评分##喜欢看大师未完全成熟的剧本,从中能感触到他们真实的呼吸。
评分##"The apartment faces an alley and is entered by a fire escape, a structure whose name is a touch of accidental poetic truth, for all of these huge buildings are always burning with the slow and implacable fires of human desperation."
评分##这本描写的家庭关系要比A Streetcar Named Desire要让我痛苦,因为Amanda对儿子女儿的束缚和期望让人窒息,三人都在逃避现实,互相折磨,这种家庭关系要比Blanche的崩溃更有实感。而且Jim对自卑敏感的Laura的温柔和善解人意之后在对其的打击真是……令人绝望,不知道Laura最后会怎样;还有Tom那句:People go to the movies instead of moving. 最后Tom还是选择跟父亲一样了啊
评分##上剧场围读剧本初体验。表演艺术还是需要表演,不能扶贫……
评分##I didn't go to the moon, I went much further--for time is the longest distance between two places. /The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.
评分##我最挂念的还是Laura,你还好吗?
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