The Subtle Knife (His Dark Materials, Book 2)[黑質三部麯2:魔法神刀] 英文原版 [平裝] [10歲及以上]

The Subtle Knife (His Dark Materials, Book 2)[黑質三部麯2:魔法神刀] 英文原版 [平裝] [10歲及以上] pdf epub mobi txt 电子书 下载 2025

Philip Pullman(菲利普·普爾曼) 著
圖書標籤:
  • 奇幻
  • 青少年文學
  • 冒險
  • 科幻
  • 平行世界
  • 成長
  • 勇氣
  • 友誼
  • 魔法
  • 黑暗物質
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出版社: Random House Children's Books
ISBN:9780440418337
商品编码:19035985
包装:平装
丛书名: His Dark Materials
出版时间:2001-05-22
用纸:胶版纸
页数:368
正文语种:英文
商品尺寸:13.46x2.29x19.3cm

具体描述

內容簡介

Lyra and her daemon return as she and 12-year-old Will Parry are in a desperate flight for Will's life. They are drawn closer to Will's father and to the Subtle Knife, a deadly, magical, ancient tool that cuts windows between worlds. Through it all, the pair are drawn deeper and deeper into a fierce battle they may not survive.

作者簡介

Philip Pullman has won many distinguished prizes, including the Carnegie Medal for The Golden Compass (and the reader-voted "Carnegie of Carnegies" for the best children's book of the past seventy years); the Whitbread (now Costa) Book of the Year Award for The Amber Spyglass; a Booker Prize long-list nomination (The Amber Spyglass); Parents' Choice Gold Awards (The Subtle Knife and The Amber Spyglass); and the Astrid Lindgren Memorial Award, in honor of his body of work. In 2004, he was appointed a Commander of the Order of the British Empire.
Philip Pullman is the author of many books for young readers, including two volumes related to the His Dark Materials trilogy: Lyra's Oxford and Once Upon a Time in the North. He lives in Oxford, England.

  菲利普·普爾曼(Philip Pullman, 1946-),20世紀以來最重要的英國童書作傢之一。畢業於牛津大學,曾任西敏學院兼任講師,教授維多利亞時期文學與民間故事,目前與傢人住在英國,專事寫作。除瞭青少年小說外,也撰寫劇本與圖畫書。
  他擅長采集童話、傳說與類型故事元素,揉閤當代議題與驚人的幽默感。以英國維多利亞時代為背景的「英倫懸疑四部麯」(《紅寶石迷霧》、《北方之星》、《井底之虎》、《锡公主》),便編織瞭社會寫實、驚悚冒險、超自然元素、蒸汽幻想等多元類型風格,人物性格鮮明,情節麯摺緊湊,更跳脫成人與兒童的分界,廣受好評,也奠定他在長篇小說寫作上的地位。同時此套小說也成為之後國際級暢銷經典「黑暗元素三部麯」的寫作基調。他的珠玉小品故事,如《發條鍾》、《我是老鼠!》與《卡斯坦伯爵》等,也精湛地發揮瞭揉閤編織的功力,故事雖短,文本層次豐富而有餘韻,是短篇故事的翹楚之作。

精彩書評

With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The d?mons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order.
The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.
As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her d?mon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.
Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful.
--Kerry Fried

Philip Pullman's His Dark Materials trilogy now appears in sophisticated trade paperback editions, each title embossed within a runic emblem of antiqued gold. The backdrop of The Golden Compass: His Dark Materials, Book I sports a midnight blue map of the cosmos with the zodiacal ram at its center. The Subtle Knife and The Amber Spyglass carry similarly intriguing cover art, and all three titles offer details not seen in the originals: in Compass and Knife, for example, Pullman's stamp-size b&w; art introduces each chapter; Spyglass chapters open with literary quotes from Blake, the Bible, Dickinson and more.
--Publishers Weekly





用户评价

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并善于从书中汲取营养。从阅读中养成爱好读书的习惯,体会读书的乐趣,

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黑质三部曲的开始确实如同少年奇幻,直到第二部结束的时候都一直给我留下这种感觉。至于究竟什么才是少年奇幻,我很难给出一个确切的定义,只能说这是一种对作品的感觉,但我也很难明确指出哪些地方令我产生这样的感觉,大概是我以为整个故事原可以用另一种更富有张力的方式展开,然而作者却选择了更具娱乐性的方式来进行叙述吧。 不过作为一个整体而言,黑质三部曲也只能算是“有价值的著作”而已。也就是说,它是一套值得阅读的书,但也仅限于此。第三部《琥珀望远镜》的表现可以说是一柄双刃剑,它一方面提升了整个作品的价值,但另一方面又因为没有成功解决前两部遗留的疑问而拖累了整个作品的表现。比如说,尘埃究竟从何而来、成人与少年的区别究竟在哪里等等,甚至连莱拉和威尔这两个主人公也没有表现出他们的独特之处:我们看不到为何这两个孩子身上会背负着整个宇宙的命运,难道仅仅是因为他们最后会相爱么? 当然,不是所有的伟大作品都必须将自己的世界塑造的没有一点缺漏,像刺客三部曲就属于漏洞百出的典型。但与黑质不同的是,刺客对人物的刻画绝对是无可比拟的。所以尽管我承认我差一点轻率地贬低了一部有价值的著作,但说到头,我还是不能给这套黑质三部曲太高的评价。“有价值”这三个字足够了,我想。

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书虽然厚,但很轻,不错

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它能净化人的心灵。每读到一本好书就像他乡遇故知、久旱遇甘霖一样,另人心旷神怡,

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书是我们精神的巢穴,生命的源泉。古今中外有成就的人,到与书结下了不解之缘,

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孩子非常喜欢这类书。。

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书籍是传播知识的载体。书海浩瀚无边,里面蕴藏着丰富的知识,

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无论是在公共汽车上翻阅消遣,还是在茶余饭后静坐捧读、托腮沉思,都会使你进入一种兴趣盎然、

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