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內容簡介

Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.

作者簡介

Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.

精彩書評

This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice.
--Larry Lipkis, Moravian Coll., Bethlehem, Pa.

目錄

Aaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1.Preliminaries
2.How We Listen
3. The Creative Process in Music
4.The Four Elements of Music－I. Rhythm
5.The Four Elements of Music－II. Melody
6.The Four Elements of Music－III. Harmony
7.The Four Elements of Music－IV. Tone Color
8.Musical Texture
9.Musical Structure
10.Fundamental Forms－I. Sectional Form
11.Fundamental Forms--II. Variation Form
12.Fundamental Forms--III. Fugal Form
13.Fundamental Forms--IV. Sonata Form
14.Fundamental Forms--V. Free Forms
15.Opera and Music Drama
16.Contemporary Music
17.Film Music
18.From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index

前言/序言

What to Listen For in Music 如何欣賞音樂 [平裝] 下載 mobi epub pdf txt 電子書

評分☆☆☆☆☆

大師寫的，英語原版繼續努力看

評分☆☆☆☆☆

我父親是個很棒的鋼琴傢，奧德薩音樂學院請他去任教。可我染上瞭斑疹傷寒，沒法去奧德薩。母親不得不離開我，去找我父親，他也得瞭傷寒。她不得不滯留在那裏，再加上白軍、紅軍……等到她來接我，已經是四年以後瞭。這些年我一直和瑪麗姨媽住。後來我母親來接我，從奧德薩到日托米爾，路上整整用瞭一星期！那時的確世事艱難。

評分☆☆☆☆☆

非常滿意非常滿意非常滿意

評分☆☆☆☆☆

我的母親是個無以倫比的女人，很實際，有時實際得過份！這導緻我對所有實際事務都很反感。她總是罵我，說我對周圍的事不聞不問，我那時的確如此。

評分☆☆☆☆☆

In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.

評分☆☆☆☆☆

本書初版於1939年，後被譯作多種文字。中譯本是根據1957年美國Mcgraw-Hill公司的在版本翻譯。

評分☆☆☆☆☆

his is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years.

評分☆☆☆☆☆

我的母親是個無以倫比的女人，很實際，有時實際得過份！這導緻我對所有實際事務都很反感。她總是罵我，說我對周圍的事不聞不問，我那時的確如此。

評分☆☆☆☆☆

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