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《三個火槍手》,又譯《三劍客》、《俠隱記》,是法國19世紀浪漫主義作傢大仲馬的代錶作之一。該書曾五次被翻拍成電影作品。
From School Library Journal
Grade 6 Up-With swelling musical background the clash of swordplay and the occasional thump of a head being cut off the St. Charles Players bring back the feeling of radio theater in their rendition of the classic tale by Alexandre Dumas. The players' voices emit every nuance required to let listeners experience the swashbuckling deeds of the famous heroic threesome and the boy called D'Artagnan who wants to join their ranks. When the young man arrives in Paris with the wish to enlist with the King's Musketeers he finds himself challenged to three duels in his first afternoon in the city by men who turn out to be Porthos Aramis and Athos-the Three Musketeers. Instead of fighting against them the twists of fate have D'Artagnan battling for them against the evil Cardinal Richelieu's guards. After demonstrating his worth with a sword D'Artagnan proves more of his mettle by journeying to England to foil a plot to embarrass France's Queen Anne the former Anne of Austria. D'Artagnan saves his queen but loses the woman he loves so he seeks vengeance and in turn instills himself firmly in the ranks of the Musketeers. The flavor of the original is evident even though this abridged version includes only highlights in its retelling.
Joanne K. Hammond Chambersburg Area Middle School PA
Copyright 1999 Reed Business Information Inc. ——This text refers to an out of print or unavailable edition of this title.
From Library Journal
A perennial favorite this work continues to hold appeal for adventure lovers. Full of intrigue swordplay and revenge it is the story of d'Artagnan a young nobleman who travels to Paris in hopes of joining the Musketeers a group of swashbuckling adventurers who serve King Louis XIII. His wit and fighting ability make d'Artagnan a welcome addition to their ranks and together the four young men work to foil the King's evil rival Cardinal Richelieu. Despite the period setting and constant violence the story captures and sustains the listener's interest as the Musketeers vanquish the villains. Michael York reads superbly his rich baritone voice giving each role convincing clarity. The audio format is particularly suited to the tale. The production quality is excellent. Recommended for general collections.
- Nancy R. Ives SUNY at Geneseo
Copyright 1994 Reed Business Information Inc. ——This text refers to an out of print or unavailable edition of this title.
From AudioFile
This classic adventure epic is presented here in a compact affordable production. The double-tracking is slightly inconvenient but is overcome by the narrator's superb reading. Page's flawless pronun-ciation of the numerous French words blends with his formal British English to give color and credence to the grandiloquent language of the translation. His characterizations are equally well performed. The characters emerge richly faceted: the nefarious Lady DeWinter; the pious but fallible Athos; the haughty boisterous Porthos. The listener is carried through the romantic verbiage by this energetic exciting performance. J.J.F. (c)AudioFile Portland Maine ——This text refers to an out of print or unavailable edition of this title.
內容簡介
A perennial favorite, this work continues to hold appeal for adventure lovers. Full of intrigue, swordplay, and revenge, it is the story of d'Artagnan, a young nobleman who travels to Paris in hopes of joining the Musketeers, a group of swashbuckling adventurers who serve King Louis XIII. His wit and fighting ability make d'Artagnan a welcome addition to their ranks, and together the four young men work to foil the King's evil rival, Cardinal Richelieu. Despite the period setting and constant violence, the story captures and sustains the listener's interest as the Musketeers vanquish the villains.
《三個火槍手》是以法國國王路易十三和手握重兵、權傾朝野的首相黎塞留紅衣主教的矛盾為背景,穿插群臣派係的明爭暗鬥,圍繞宮廷裏的秘史軼聞,展開瞭極饒趣味的故事。 書中的主人公少年勇士達達尼昂,懷揣其父留給他的十五個埃居,騎一匹長毛瘦馬,告彆傢鄉及親人,遠赴巴黎,希望在同鄉父執的特雷維爾為隊長的國王火槍隊裏當一名火槍手。在隊長府上,他遇上阿托斯,波托斯和阿拉米斯三個火槍手,通過歐洲騎士風行的決鬥,四人結成生死與共的知己……
作者簡介
Alexandre Dumas (1802-1870) was the author of more than ninety plays and many novels—most famously the Three Musketeers trilogy and The Count of Monte Cristo. Francine du Plessix Gray is the author of the Pulitzer Prize-finalist At Home with the Marquis de Sade, among other works. Joachim Neugroschel has won three PEN translation awards and the French-American translation prize.
亞曆山大·仲馬(Alexandre Dumas,père, 1802年7月24日—1870年12月5日),大仲馬於1802年7月24日生於法國的維勒-科特萊(靠近巴黎)。人稱大仲馬,法國19世紀浪漫主義作傢。大仲馬自學成纔,一生寫的各種著作達300捲之多,主要以小說和劇作著稱於世。大仲馬信守共和政見,反對君主專政。由於他的黑白混血人身份,其一生都受種族主義的睏擾。
精彩書評
A perennial favorite, this work continues to hold appeal for adventure lovers. Full of intrigue, swordplay, and revenge, it is the story of d'Artagnan, a young nobleman who travels to Paris in hopes of joining the Musketeers, a group of swashbuckling adventurers who serve King Louis XIII. His wit and fighting ability make d'Artagnan a welcome addition to their ranks, and together the four young men work to foil the King's evil rival, Cardinal Richelieu. Despite the period setting and constant violence, the story captures and sustains the listener's interest as the Musketeers vanquish the villains. Michael York reads superbly, his rich baritone voice giving each role convincing clarity. The audio format is particularly suited to the tale. The production quality is excellent. Recommended for general collections.
-- Nancy R. Ives, SUNY at Geneseo
'Dumas is a master of ripping yarns full of fearless heroes, poisonous ladies and swashbuckling adventurers.'
--The Guardian
精彩書摘
The Three Musketeers
1
The Three Gifts of M. D'Artagnan the Elder.
On the first Monday of the month of April, 1626, the market-town of Meung, in which the author of the "Romance of the Rose" was born, appeared to be in as perfect a state of revolution as if the Huguenots had just made a second Rochelle of it. Many citizens, seeing the women flying towards the Grand Street, leaving their children crying at the open doors, hastened to don the cuirass, and supporting their somewhat uncertain courage with a musket or a partisan, directed their steps towards the hostelry of the Jolly Miller, before which was gathered, increasing every minute, a compact group, vociferous and full of curiosity.
In those times panics were common, and few days passed without some city or other enregistering in its archives an event of this kind. There were nobles, who made war against each other; there was the king, who made war against the cardinal; there was Spain, which made war against the king. Then, in addition to these concealed or public, secret or open wars, there were robbers, mendicants, Huguenots, wolves, and scoundrels, who made war upon everybody. The citizens always took up arms readily against thieves, wolves, or scoundrels, often against nobles or Huguenots, sometimes against the king, but never against the cardinal or Spain. It resulted, then, from this habit that on the said first Monday of the month of April, 1626, the citizens, on hearing the clamor, and seeing neither the red-and-yellow standard nor the livery of the Duc de Richelieu, rushed towards the hostel of the Jolly Miller. When arrived there, the cause of this hubbub was apparent to all.
A young man,--we can sketch his portrait at a dash. Imagine to yourself a Don Quixote of eighteen; a Don Quixote without his corselet, without his coat-of-mail, without his cuisses; a Don Quixote clothed in a woollen doublet, the blue color of which had faded into a nameless shade between lees of wine and a heavenly azure; a face long and brown; high cheek-bones, a sign of sagacity; themaxillary muscles enormously developed, an infallible sign by which a Gascon may always be detected, even without his cap,--and our young man wore a cap set off with a sort of feather, the eye open and intelligent; the nose hooked, but finely chiselled. Too big for a youth, too small for a grown man, an experienced eye might have taken him for a farmer's son upon a journey, had it not been for the long sword which, dangling from a leathern baldric, hit against the calves of its owner as he walked, and against the rough side of his steed when he was on horseback.
For our young man had a steed which was the observed of all observers. It was a Béarn pony, from twelve to fourteen years old, yellow in his hide, without a hair in his tail, but not
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