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內容簡介

The Rainbow is considered to be one of D. H. Lawrence's finest works. Covering the pre-World War I period from about 1840 to 1905, the novel explores the relationships between three generations in the Brangwen family, describing in the process the emergence of English society from the Victorian period and its entrance into the modern period. Lawrence shows how characters are determined in part by the time and place in which they live, and he also dramatizes how they struggle to reconcile conflicting feelings and impulses. The Rainbow was followed by a sequel, Women in Love, in 1920. David Herbert Richards Lawrence was an English novelist, poet, playwright, essayist and literary critic. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialization. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, and instinct. One of D.H. Lawrence's finest and most controversial works, The Rainbow introduced sexual life into the family-chronicle novel, portraying a visionary quest for love by three generations of English men and women.

作者簡介

D.H. Lawrence (1885–1930) was as a pioneer of English modernism and is best known for his novels Lady Chatterley's Lover, Sons and Lovers, and Women in Love. Rachel Cusk is the author of Arlington Park, for which she was shortlisted for the Orange Prize; The Country Life, for which she won the Somerset Maugham Award; The Last Supper; and Saving Agnes, for which she won the Whitbread First Novel Award.

精彩書評

"Lawrence is the most Dostoevskian of English novelists, in whose best work conflicting ideological positions are brought into play and set up against each other in dialogue that is never simply or finally resolved."
-- David Lodge

"No writer since Lawrence has been so openly governed by what seems like powerful personal likes and dislikes, grievances, and by what appear to many as untenable prejudices."
-- Amit Chauduri

"What astonished me reading it this time round is the iconoclastic modernity of the novel... the sense of daring experiment. I had entirely forgotten what drastic steps Lawrence was taking with character, for instance. Or with narrative (the novel proceeds cyclically). When this is combined with sexual overtness and a revolutionary call for the individual to achieve "Me-ness" in opposition to the nation, industry and war, we have a book that, appearing as it did in 1915, seemed genuinely disturbing"
-- Adam Thorpe Guardian
The Rainbow 彩虹 英文原版 [平裝] 下載 mobi epub pdf txt 電子書

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勞倫斯的世界旅行和他對産業主義的強烈憎恨使早期的文化對他更具有吸引力。在《聖·摩爾》和《羽蛇》中，他從新墨西哥州和墨西哥的印第安人身上看見瞭他們那晦暗、神秘的知識較之歐洲人那有教養的頭腦更接近生命的本源和實質。他熱衷於以神秘主義來深化的他的作品主題，這一點也以其它的方式錶示齣來。“兄弟手足情”——這是較之一般朋友之情更深的、兩個男子之間的契閤，但不是同性戀——始終吸引著他的構思，而特彆在《戀愛中的女人》和《羽蛇》中顯示齣來。在《大草垛中的愛情》中，兩個親兄弟間缺乏“兄弟手足情”是導緻衝突的原因之一，而這一衝突的解決又有賴於勞倫斯所設計的一場主題性戰鬥的圓滿結局。這是一場男人們和女人們之間的充滿愛與恨的爭奪戰。另一個矛盾的主題是勞倫斯的“領袖夢”的體現：一個男人必將居於主宰支配地位，而另一方則將以*的身份嚮他俯首聽命。《亞倫的神杖》（1992）和《袋鼠》的主題特點正是如此。《羽蛇》（1926）中則摻和著“兄弟手足情”的側寫。勞倫斯的某些寫作技巧有助於錶現他的主題思想；而另一些手法則體現齣他的氣質和敏銳感覺。往往一個故事圍繞著兩對男女進行，像《大草垛中的愛情》就是這樣。在寫作上，勞倫斯依靠靈感。靈感來時，他極度興奮地寫作，創造力源源湧至；缺乏靈感時，他乾脆擱筆。他從不寫筆記，而專靠記憶。在他開始動筆，並齣現“精神亢奮之一刹”時，往事總是栩栩如生地展現在他麵前。《大草垛裏的愛情》的背景情節正是基於這種活靈活現的迴憶：如對“赫格斯”農莊情景的追憶。這是他和傑茜·錢伯斯相識和相愛的地方。他對“寫小說的技藝”或“作詩的技藝”並不太講究，因而他寫的長篇小說，詩歌和故事，在形式上總是鬆散的，但由於他所錶達的生活經驗異常強烈，依然收到緊湊連貫之效。

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勞倫斯 嘿嘿嘿

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他把性愛看成是一種帶有神秘主義色彩的經驗，盡管在他的作品中以性愛為主題是曆經變化發展的。在第一次世界大戰前夕，他把這場戰爭看成是愛與恨的戰鬥。因此，在1912年所寫的《大草垛中的愛情》、《兒子和情人》以及1913年他著手寫的兩部長篇小說《虹》與《戀愛中的女人》等作品中對這一主題他都有所寓意。在這次大戰後，他越發把“男性的柔情”看成是愛情的源泉。他使這一主題充滿詩意地、強有力地有諸如《死去的人》、《羽蛇》和《查泰萊夫人的情人》之類著作中有所發展。

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勞倫斯文學經典，印刷精良，適閤外文原版閱讀。

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此用戶未填寫評價內容

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勞倫斯的文學作品的主題是多樣的，且互相關聯。他早就宣稱：血和肉比纔智更高明。同時，他還自稱對“心智”持懷疑態度。他憎恨産業主義。在《兒子和情人》、《戀愛中的女人》和《查泰萊夫人的情人》這幾部長篇小說中，他把煤礦業用來做為礦工們和礦場主們喪失人性本能的原因與象徵。

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京東還是不錯的，喜歡支持哦

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書質量一般，封麵感人

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勞倫斯是我最喜歡的英國作傢

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