The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
##film is a behavior, not plot and line
评分##印象较深的几个点:墨镜对明星魅力的钟爱,对拉美文学的热情,对《春光乍泄》政治含义的解释,和他讲述的梁朝伟这二十多年的成长历程
评分##229
评分##惊世旷世之作也许需要遭逢大难,历尽苦海波澜,食尽人间苦味,在绝望中回首绝望,可健康幸福美满的人生与创造一流的艺术品并不必然违逆。用并没有熟练到可以如杨德昌一般用来思维的英语接受采访也算是典型的墨镜风格,朦胧模糊的语言类似于他酷爱的停格加印技巧。从访谈录的层面评估,只读这一本,足够。
评分##印象深刻的是杜可风曾经控诉过阿飞正传上映版色调被调得面目全非并是自己心目中的理想效果/在CC王家卫套装出来后阿飞正传呈现的浓烈洋绿色调和书上阿飞剧照大版印刷出的浓烈色调对应上了/
评分##“他的电影里总有时间、香烟、食物、反复出现的音乐和梁朝伟。”
评分##film is a behavior, not plot and line
评分##王用了一个我不认识的英文单词。
评分##花样年华算是为我打开电影大门的第一部电影
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