具体描述
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.
It is essential reading for book and music lovers everywhere.
用户评价
##大师也曾穷困潦倒...
评分##音乐票友和指挥的尬聊，完全鸡同鸭讲，不在一个世界。感觉小泽征尔还是性格好，敷衍得很用力。另外这种录音整理的内容（连小泽喝茶的时候问桌上放的是糖吗都要记在对话中）为什么要写成书？
评分##这本大概是永远也读不完了。挺难定位的。交响入门指南。
评分 评分 评分 评分##What we are doing is entirely different, but I imagine we may well be the same when it comes to the depth of our concentration.
评分##阅读村上这本书给我的快乐无与伦比！今天开始看，一口气看了78页。有中文版《与小泽征尔共度的午后音乐时光》。如果我翻译，会译成音乐的纯粹，或者音乐的极致，体现出absolutely。书里村上说了一句话：Like love, there can never be too much ‘good music.” 在我看这就是极致。村上的音乐造诣令人叹服，小泽的个性即艺术家又和蔼。这本书我是这样读的：边读边做笔记（电子书方便），电脑同时开两个YouTube窗口，一个放伯恩斯坦指挥，格兰古德演奏的勃拉姆斯钢琴协奏曲1号，一个放卡拉扬指挥，古德演奏的贝多芬钢琴协奏曲No 3 C major，因为村上和小泽用了大量篇幅谈论这两场演出。边读边听是这本书最好的阅读方式。我写过关于古德的日记，大爱他。去看书吧！
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