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現代印刷技術空前發達，其印製法帖逼真之程度，遠過古人雙鈎填墨及匯刻。而且，基於原碑帖的放大與縮小，更可全方位地展現書作的精神風采，這是極方便於書法學習的。鑒於此，本社選編瞭這套書法經典放大叢帖。所選法帖多是原文字較小者，因而“放大”也就具有瞭價值。這些碑帖都是佳作傑構，趙孟頫在《蘭亭十三跋》中說：“昔人得古刻數行，專心而學之，便可名世。”本套叢書字數遠非“古刻數行”可比。放大本不僅追求原色，而且盡量做到保持原帖的點畫、字形、行氣、章法之“真貌”，使原作由於字“小”而不易見的韻緻得以充分展現。如此既利於學習，也增強瞭欣賞的多元性。懷素（725—785，一作737—？），唐代書傢。俗姓錢，幼時齣傢，法名懷素，字藏真，長沙（今屬湖南省）人。其性靈豁暢，嗜酒，一日九醉，時人謂之“醉僧”。初貧無紙可書，嘗於故裏種芭蕉萬株，以供揮灑；書不足，乃漆一盤書之，又漆一方闆，書至再三，盤闆皆穿。每遇寺壁、衣裳、器皿靡不書之。棄筆堆埋於山下，號曰“筆塚”。《小草韆字文》，書於唐貞元十五年（799）。84行，1045字。書法古樸淡雅、蒼勁靜穆。或謂“一字值一金”，遂譽為“韆金帖”。明文徵明“絹本晚年所作，應規入矩，一筆不苟，可謂平淡天成”語，堪謂允論。於右任謂：“此為素師晚年ZUI佳之作。所謂‘鬆風流水天然調，抱得琴來不用彈’意境似之。”現藏颱北故宮博物院。此次放大齣版，以饗讀者。
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评分When I was ten years old, there was an old man living in my neighborhood. He didn’t have the opportunity to study in school, but he learned how to make wood furniture. Every time people went to ask him to solve some problems of furniture, he was willing to help them.
评分When I was ten years old, there was an old man living in my neighborhood. He didn’t have the opportunity to study in school, but he learned how to make wood furniture. Every time people went to ask him to solve some problems of furniture, he was willing to help them.
评分When I was ten years old, there was an old man living in my neighborhood. He didn’t have the opportunity to study in school, but he learned how to make wood furniture. Every time people went to ask him to solve some problems of furniture, he was willing to help them.
评分一般般一般般一般般一般般
评分一般般一般般一般般一般般
评分好書……
评分好很好
评分好書……
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